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music brings you out of bed like a puppeteer retrieving her showpiece from its box / old stories and new stories are all the same but you still love them especially when dawn is foggy and the dog complains that you are a don quixote of sorts / your lovers complain you are a tracker of your own self that you spend too much time doing this tracking but you pay it no mind because you know it’s what drew them to you in the first place / your life appears to be informed by world myths not the daily news / if people paid more attention to the myths you think the contents of the daily news might begin to change / pilgrim of roads wanderer of open distances your heart is magnetic and you’re pretty certain the Horizon is the best thing you’ve ever seen the most beautiful thing the biggest thing the place where you’re bound to arrive / feathers crowd your pirate-smile mouth your birthmarks ripple and glow / you come from a long line of shapeshifting storytelling compass-reading card-shuffling fire-eating boundary-penetrating contortionists / you explore landscapes borrowed and abandoned / territories uncharted and unknown / trails overgrown and forgotten / if they think so much as one tiny detail has escaped your notice they are radically off-target / details do matter they say someone is always looking / that’s why you are a book and will always be a book everyone is a book everyone has a spine a cover a type everyone has chapters highlights cross-outs everyone has a contract with something someone somewhere / at times you are open at times you are closed but inside you always have a story / this is who I am you tell people take it or leave it and so they set about taking you or leaving you and you’re pretty certain they must have misunderstood / but it’s too late to worry about all that now so you burn the newspaper put dynamite in the TV leave the den of dogs and no-sleep behind / you set out to do all the things everyone has always said you shouldn’t but first you go out for a walk and listen to your new playlist that makes you feel like you just hit a homerun in the biggest game in the history of baseball / with paintbrush eyes you take in the world you canvas it with all your heart you take it in over and over like stars brushed across someone’s forehead as if the sky were the world’s forehead / knowing the time will come when you have to leave and return to your Horizon / knowing a departure time will come for each of us who it has not yet come for / bringing our heads up from whatever we’re involved in / bringing our attention back to the most basic thing we know about our lives here as we scramble to quickly review whatever it is we feel / whatever we think we believe / beliefs are prison guards who have us convinced we’re free / meanwhile we’re living in confinement
I am thrilled to announce the upcoming release of my poetry book How To Carry Soup. It will come out in April of 2020, courtesy of Homebound Publications., a wonderful independent press based in Mystic, Connecticut. Homebound focuses largely on contemplative literature and nature preservation. Please add them to your field of awareness if you haven’t already.
How to Carry Soup explores personal transformation through the teachings of the natural world, and also working with the body, time, love and loss, fear, and mystery.
In the meantime…..
”stay together, learn the flowers, go light” (Gary Snyder)
“Wilderness” by Carl Sandburg
There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.
There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross.
There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go.
There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis.
There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galoot’s hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waiting—I keep the baboon because the wilderness says so.
There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness.
O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.
”If you grew up in western culture, you were taught to trust a reasoning mind, facts, and scientific evidence – not to listen to your body. You probably had no lessons in school to teach you to slow down and trust your bodily sensations. Instead, you were most likely taught to shut down, hold in your emotions, and not express what you feel.
Because you live in a culture that often does not value the sensitivity and wisdom of the body and emotions, becoming mindful is a radical act – one that requires you to stand up for your inner life. The more you slow down and listen to your body, the more it’s messages will become direct and clear.
Mindfulness cultivates the sensitive art of deep listening. You can remove the filters of fear, vigilance, and anticipation, and come into a direct relationship with “what is” right now. But it takes some discernment to see clearly and not judge your experiences.”
It’s those unexpected details in life that can astonish you sometimes, like little thieves waiting for an unwary tourist around a corner.
Ants coming out two days before it rains. Burro dung holding up adobe walls for two hundred years. A hummingbird’s heart beating over a thousand beats per minute. A blue whale’s tongue weighing as much as an elephant. Humans owing their existence to pollinators, and the sun’s proximity to Earth. Trees working tirelessly while appearing impossibly still. Your body’s ability to digest food with its own consciousness. Plants turning to face the sun. These are no small wonders.
The slant of the light at a particular moment. Steam rising from a bowl of soup. A certain smell accessing a fountain of memories in your brain: maybe cigar smoke, the interior of a car, the pages of a book, a bakery. A song opening a door inside you. Behind that door, a chapter of your life, a whole sweeping vista of memories, visions, emotions.
Naturally, all this astonishment exhausts you. But it’s a healthy exhaustion, like the one you experience after a long day of good hard physical work, or an hour of lovemaking, or an afternoon spent swimming in ocean waves. The language of being alive inhabits you completely.
You come home to a bag of ripe plums a friend left at your door. Eating one, you celebrate its wine-red flesh. One day you’ll be food for worms – maybe tomorrow, even – but for now you are here, in an astonishing world. Your whole being glows with wonder, almost child-like. You read a while, noticing the moon. You extinguish the light and close your eyes, drifting into sleep.
It’s strange, you think, how there’s no money in poetry, or bending spoons.